Welcome to my blog - a scrapbook of memories, ideas and inspirations.

Monday, April 19, 2010

A bicycle dream for Alex

A silly dream poem


Last night I had the weirdest dream
It was like watching an Indie film
I took a bicycle apart with my bare hands
At the time it just happened to make sense

I hung its blue frame on the wall
And parked its wheels outside the hall
I held onto the seat of the cycle
And went to a party looking like a psycho

Slightly annoyed and discombobulated
I could not decide what was more complicated
The seat disintegrating into dust
Or my recent disappointing past

I dreamt that I went comatose
From painful fervor overdose
My heart muscles atrophied
I could no longer feel it beat

And then today I had a weird talk
With a good friend about his dog
His dog got lazy, fat and old
My friend grew tired, bored and cold

He freed the dog to roam the land
But kept the leash inside his hand
The dog came back but could not stay
My friend just shrugged and walked away

Don’t wake me, I don’t want to live
I’m dreaming - you would not believe -
I’m watching people in a coma
Inside a live show at the MOMA

Don’t call me, I plan on dreaming
Don’t wake me, I might start feeling
I like my heart intact and dead
While I watch dreams inside my head

Don't miss Maurizio Cattelan's exhibit at the Menil!

A couple of months ago, I had the pleasure of dining at my friend's house with Maurizio Cattelan and Franklin Sirmans.  It was a surprisingly low key dinner, involving general conversation and just a little talk about the exhibition at the Menil Collection that focuses on Cattelan's large scale works.  Both men were charming and I felt honored to dine in their company.


A few days later, I went to the opening of Cattelan's exhibition at the Menil, which was extremely crowded and prevented me from getting a real feel for his work. This weekend, I had a chance to go back and walk through the museum, taking in every one of Maurizio's creations without interruption because nothing interacts with human emotions better than art. 



This exhibit is very different from all other temporary displays at the Menil in that Cattelan was allowed to handpick works from the museum's permanent collection and arrange them in a way that compliments his own works.   


Cattelan's creations are integrated all over the museum in a peculiar and humorous way.  Each piece is unique, but they all convey a lighthearted message of life, mixed with just a touch of satirical darkness.


It's hard to say which work I liked best.  They are all so wonderful and original.  I loved the twins and the way they look at twin Mona Lisas. This is a minor detail, which most people won't notice without being told, but please be sure to follow the gaze of the twins and the gaze of the Mona Lisas.  


The "bird" is also remarkable.  If you look up and see the finger, walk away from it and watch as it turns into a bird.  How surreal and appropriate for this exhibition!  Cattelan gave us the bird, as though he doesn't care about what we'd think of his unconventional art.  


But that's not true.  Every artist cares and Maurizio doesn't just care, he wants the Houston audience to think, to feel, to react and to talk about his works.


The most poignant work is undoubtedly All - a marble creation of nine bodies inside body bags.  Some may shudder looking at this, but I walked away feeling light.  I left knowing that we will all die one day, each of us in our own way.  I found this depiction of death to be serene.  Of course, death is never uplifting, but it does not have to be dark. 


Of course, this work could be interpreted in many other ways.


Maurizio Cattelan All, 2007Marble


The animal worship is wonderful: Untitled (2009) by Maurizio Cattelan at the Menil
(INRI = Iesus Nazarenus Rex Iudaeorum -- “Jesus of Nazareth, King of the Jews”)





The Maurizio Cattelan exhibition is on view until August 15, 2010 and is really worth seeing.

Sunday, April 18, 2010

Tracing pain - Eckhard Tolle

In the Power of Now, Eckhart Tolle talks about being in the moment in order to overcome pain of suffering that comes from dealing with people. 


Some people drain our energy and bring us down, destroying our confidence.  We use our willpower to stay away from negative sources of energy and try to go on enjoying life freely with disregard for what other people may say or think of us. 

However, people we love have an uncanny ability to bring us down. When we care about people, their slightest expression of displeasure or discomfort with our actions brings forth an array of negative emotions.

Sometimes we get sad and hurt, at other times we feel angry, bitter, and resentful. And the more we think about it, the more we get upset, creating a vicious cycle of negativity.

Tolle’s definition of this condition as the pain body is accurate:

“...The pain body wants to survive, just like every other entity in existance, and it can only survive if it gets you to unconsciously identify with it. It can then rise up, take you over, "become you," and live through you. It needs to get its "food" through you. It will feed on any experience that resonates with its own kind of energy, anything that creates further pain in whatever form: anger, destructiveness, hatred, grief, emotional drama, violence, and even illness.
Tolle goes on explaining how to deal with this pain:

“Don't think about it - don't let the feeling turn into thinking. Don't judge or analyze. Don't make an identity for yourself out of it. Stay present, and continue to be the observer of what is happening inside you. Become aware not only of the emotional pain but also of "the one who observes," the silent watcher.
Tolle’s advice may not work for everyone. We are not blind to what’s going on inside our heads, but when things are close to heart, it is often difficult to be a silent observer and push pain away.

It’s much more tempting to barrage the source of negative energy with angry outbursts.   Of course, anger never accomplishes anything. It only causes the other person to shut down, resulting in self doubt, loneliness and insecurity.

Inevitably, we have to face our own pain, analyze it and release it through constructive means.  At times, it is best to just stay alone until you realize what's causing it.  If it is caused by the careless or abusive behavior of others, we don’t have to be bitter or angry about it.  


We can simply walk away from the negative source of emotions and realize you are abusing yourself by allowing others to continue to abuse you. It’s like a saying "Fool me once, shame on you. Fool me twice, shame on me". 


By questioning the source of our pain, we can realize that no one can cause us distress, other than ourselves.  Everyone is responsible for their own happiness. 

Tracing pain is a process that takes time and practice. It’s especially hard when dealing with sources of frequent discontent, to which we have built resistance.

To regain strength and enjoy life, we must identify the source of suffering and purge negative thoughts that continue to  feed old pain.  Breaking old patterns, helps release the pain and   confusion associated with it. 


To enjoy the future, we must let go of expectations. Ultimately, there is  only the present, where there is no pain. 


As we continue to have relationships with people, there are likely to be appointments and disillusions along the way. But, if we accept ourselves and others as they are and understand that every relationship is designed to make us more aware (instead of happy), each new  relationship will offer a deliverance from pain. 

Saturday, April 17, 2010

Morning in my head

Last night all my elaborate plans for today tumbled down with a loud bang. I thought about drinking some wine and obsessing about how I will make things work today, but remembered an old Russian sayings:"morning is wiser than night". And so, I went to bed early.

And wouldn't you know it, this morning sorted all the little pieces of today's broken puzzle and put them back into their rightful place.
Here are some morning sounds,
from my ear to yours:
Revenge Songs
Jacob Golden
Adrenaline
Emma Pollock
If You Love Me You'd Destroy Me
Aereogramme & Hal Duncan
A Life worth living
Aereogramme
Sleeping In
The Postal Service
Dreamdancer
Polarkreis 18
Lovers In The Backseat
Scissor Sisters
Rainy Monday
Shiny Toy Guns
Conscious Life For Coma Boy
Aereogramme
For Agent 13
The Besnard Lakes
Grapevine Fires
Death Cab For Cutie
Golden touch
Razorlight
Sing for Absolution
Muse
Return To OZ
Scissor Sisters
Red Morning Light
Kings of Leon
No Sunlight
Death Cab For Cutie
This Is Your Life
The Killers
Banquet
Bloc Party
You Could Be Happy
Snow Patrol
On Call
Kings Of Leon









Wednesday, April 14, 2010

Don't miss the Queen of Spades at the Wortham Theater

Last night, the Houston Grand Opera held its final rehearsal of Tchaikovsky’s The Queen of Spades at Wortham Theater Center. HGO general director Anthony Freud chose nontraditional version of this opera, originally directed by the London native Richard Jones.


This production is very different from the customary sets of Pushkin’s time or from its original 1790s setting. The city and its inhabitants are all rendered in grayish hues, creating a true haunting atmosphere of dreary and dark St. Petersburg.

Vladimir Galouzine delivers a wonderful performance as Herman. His experience in this lead role in native Russian is remarkable. His baritone voice extended effortlessly through the low tenor range in clear notes of desperate obsession.

Also notable is Tatiana Monogarova as Liza. A lively Moscow born soprano, Monogarova has already given dramatic performances as Russian heroines in Slonimsky’s Master and Margarita and Tchaikovsky’s Eugene Onegin. Her Liza is charming and timid, portrayed with skilled acting and beautiful high notes produced with unusual talent.

Judith Forst reveals a splendid Mezzo soprano as the Countess, another voice that has been heard internationally for years.

The other solo artists, chorus, and dancers are decent but undistinguished. Vasily Ladyuk’s Yeletsky is powerful but surprisingly unvaried, while Tómas Tómasson's Tomsky drowns behind the music. (I should note that this was only the rehearsal and singers might have been saving their voices for the opening night on Friday.)

John Macfarlane's sets are striking and surreal. Particularly interesting is the contrast between the opening painted cloths of the Countess’ face as the young Russian Venus vs. the aged keeper of the fated secret. The portrait of youg Countess is later places in her bedroom:
Director Richard Jones's inventions, such as the rooftop view of Lisa’s bedroom and the weird puppet show bring gothic eeriness to the stage.

This opera is sung in Russian with English surtitles and runs for 3.5 hrs., including 2 intermissions. It opens on Friday, April 16, 2010 and will continue through May 1, 2010.

Sunday, April 11, 2010

Say Yea! - Yeasayer Houston concert review

Thanks to my dear friend Alex, I recently discovered Yeasayer, an alternative, indie, experimental rock group that performed at the House of Blues on Friday. 








Yeasayer's songs have been compared to Peter Gabriel, MGMT, and Kate Bush.   I don't agree with any of these comparisons.  Their sound is too eclectic to be compared to anyone else.  They are fresh and engaging, mixing tribal jingle,  electronic guitar notes, bass, drum beats and high vocals.  


By keeping their set compact, Yeasayer forces its audience to focus on each of its band members.  Each musician performed with deep concentration that was contagiously unpretentious and made the audience feel at one with the band. 



The band's lead singer, Chris Keating, took stage on the left, distorting vocals with joy of a pop music junkie.  Singing with his eyes closed, he was sincere and serious. 


What  makes this band work is the simplicity and clean lines of their lyrics.  There is nothing extra and nothing missing. There wasn't one song or a sound I did not like, which is rare. 


Yeasayer kept the Houston audience moving on their feet.  Everyone in our group was smiling, dancing and clapping throughout the performance, which seemed short because it was so good. 
Here is a video of one song I liked, among many others:


Tightrope 
So you're wishing that you never did
All the embarrassing things you've done
And you're wishing you could set it right
And you're wishing you could stay the night
But then I go again, wishing never solved a problem
If you wanna get it big time, go ahead and get it get it big time

So I think I can solve all my problems by myself
Nevermind, nevermind, nevermind, nevermind
And you think you can solve all your problems by yourself
Nevermind, nevermind, nevermind, nevermind

Oh, give it, give it, give it, give it, give it
Until you just can't give no more
Oh, give it, give it, give it, give it, give it
Until you just can't give no more

Oh, give it, give it, give it, give it, give it
Until you just can't give no more
Oh, give it, give it, give it, give it, give it
Until you just can't give no more 



Lyrics by Yeasayer
(c) Pictures by Vika!

Saturday, April 10, 2010

POP UP SHOP




Pop Up Shop is a new trend embraced by gallery-like shopping spaces, one time exhibitions and mobile store units to bring art and design to various audiences, sometimes just for one day. This cool trend draws in a small crowd of art supporters and gallery goers into a small fresh temporary retail space, adding excitement and surprises to the spontaneity of event.



On April 7, 2010, the stylish Craft Salon opened its doors to a one day only POP UP SHOP  to support local artists and their creative goods, including the launch of a new t-shirt line STELLA ROSE by Celeste Tammariello, wonderful one of a kind drawings, sketches and collages by ALEX ROSA, design  accessories and artful soles by ROGELIO RENDON, handmade & upcycled pretty things by IVY & HOLLAND,  and parisian macarons & handcrafted sweets by MAISON BURDISSO.


Celeste Tamariello keeps a low profile as a Houston fine artist and graphic designer.  She has been creating art since she was a kid, with early designs of homemade wrapping paper. Now she enjoys life as an independent artist and designer, creating unique brands, logos, and products, some of which can be found for sale at  STELLA ROSE.Alex Rosa is an artist and graphic designer who currently works as the art director for 002houston, the go-to city guide for Houstonians and visitors. Alex regularly posts about his  illustrations, drawings, graphics and inspirations at his blog Fiery Laundry.  Alex offered an array of wonderful handmade drawings for sale, among with magazines of his work.


Rogelio Rendon is a designer at Rogelio Rendon Design. Rogelio’s artful handmade soles for shoes with hand engraved creative messages (like “the world is at your feet”) sold quickly.

MAISON BURDISSO is the home of authentic macarons from Jackie Burdisso. Using an old recipe from her family’s patisserie in the South of France, she infuses these sweet treats with natural ingredients like lavender, apricot, violet and earl grey tea. Colored with brillint hues and filled with buttercream, fruit reduction, chocolate ganache, or caramel, these sweets are almost too pretty to eat, but are irresistible once you’ve tasted them.

IVY & HOLLAND presented a collection of pretty handmade things, because "Everyone should have a little decoration!" 

Craft Salon is located in the heart of Montrose and is known for its outstanding   contemporary hair stylists. 

                                                 Rosa playfully poses at Craft.

Music played, wine was flowing, art, designs and macaroons were selling, while taco truck fueled hungry shoppers with energy for happy socializing. All in all, the event was a great success, providing exposure to the artists and salon alike, while art patrons went home happy about their new purchases.


I got a new T-Shirt, a magazine of Rosa's work, a new pair of Rendon soles and a new art print by Rosa. My child ate half of the macaroons and learned that even her artwork has a price.

photographs by Vika Filippov ©

Exclusive preview of the show by Gary Parkins/David Hardaker - Machine Memoir/Qui Judicas Terram








Last night, Obsidian Gallery opened its doors for a one night only event featuring the latest work by Houston based artists David Hardaker and Gary Parkins.
Gary Parkins has worked for twenty years assisting artists such as Ed and Nancy Kleinholz with technical and scientific applications of art. His latest show Machine Memoir on view at the Obsidian Gallery consisted of machine made sculptures and drawings.  Gary's drawings of dark ghostly shapes make a nice contrast to the see through spider web of his sculptures, made of hot glue and fishing line applications. 

British born David Hardaker started off as a self taught muralist, developing a unique realist painting style over the years. His paintings resemble photographs, which are set in a surreal world of their subjects. His latest work on view at the Obsidian Gallery is reminiscent of film fragments that bend the plane of fantastic, setting David aside from other contemporary realists. 

David and his wife Carrie have been active in the Houston art scene for over eight years.  Their latest project Hardaker + Hardaker is a partnership promoting local artists in both the public and private sector.  Obsidian Gallery is the new venue used by Hardaker+Hardaker for their shows. It is the policy of the gallery to donate a significant portion of their profits to ARTreach.
                                            Carrie and David Hardaker at the Obsidian Gallery
Artist David Hardaker greets one of his models and her friend at his latest show at the Obsidian Gallery.
3522 White Oak
Houston, TX 77007
Info Phone: 713-231-8967 or 713-572-7268






Photos Credit: Vika Filippov (c)

Friday, April 9, 2010

Andrea Bianconi: A Charmed Life

A new exhibition of paintings and wall installations by an internationally known Italian born artist Andrea Bianconi is currently on view at the Barbara Davis Gallery.

Bianconi is known for his innovative use of symbolic imagery, which transports the viewers to a surreal plane of his mind. His works include sculptures, installations and drawings, which represent a journey that transcends though the realms of reality and subconscious.

A Charmed Life is an installation of objects fastened by strings, threads, and wires that make up a stream from a wall-mounted faucet. This stream of conscious and subconscious objects represents Bianconi’s personal experiences and memories, but is open to various subjective interpretations by the viewers.

The show's opening was accompanied by a live performance by the artist, during which he changed into a suit, sat down on the chair in front of one of his installations and jingled the wires and strings of his installation, as the crowd of bewildered art goers watched intently, trying to make sense of what was happening:

This is Bianconi’s third one person show with the Barbara Davis Gallery. The exhibition on view explores Bianconi’s public and private-self image through fantastic and folkloric themes.


"Andrea Bianconi: A Charmed Life"
Opening Reception - Friday, April 9, 2010 at 7:30 pm
Open to public every Wednesday, Thursday, Friday, Saturday from Fri., April 9 until Sat., May 1, 2010
Location: Barbara Davis Gallery, 4411 Montrose Blvd.; Houston TX

Photos by Vika Filippov (c)